| Controls
The Load Settings select box lets you choose one of the predefined settings for this tab. You can also save your current settings for the future use.
The R, G, B controls let you compensate for the white balance by editing red, green and blue channels respectively. Please note that a white balance compensation can also be done using the White balance button below.
The Color map is an efficient tool to choose a white balance with one mouse click. You can also drag the black circle with the mouse and watch the effect at the same time. Right click on the color map to reset it.

The Saturation of the dull colors changes the intensity of dull, not saturated colors but does not effect already saturated ones. For selective change of saturation use the Saturation equalizer.
The Saturation of the bright colors changes the intensity of the already saturated colors. Use this slider to prevent saturated areas from oversaturation. For selective change of saturation use the Saturation equalizer.
The Exposure warnings option shows overexposed and underexposed pixels. Too bright pixels are marked with a red color, too dark pixels - with a blue color. This option is also avaliable with the Brightness tab.
The Convert to black&white option makes image monochrome and enables sliders described below to fine tune the conversion process. In this mode use RGB sliders and memory colors to define image tone (sepia, etc.). Use RGB Sensitivity sliders and an equalizer to make the image more impressive. The Load Settings select box at the top allows you to choose settings for many black and white films such as Agfa APX 100, Ilford Delta 100, etc.
The Red, Green, Blue Sensitivity sliders define luminance of different colors of the spectrum. You can achieve the same effect as using special professional monochrome films by changing the sensitivity profile with these sliders and equalizer.
The Memory color ( ) button opens a list of predefined memory colors. You can choose sepia or other filters.
| Original file |
|
Sepia |
Blue filter |
 |
|
 |
 |
|